This section will describe HTML5 deployment best practices regarding multi-DRM, ad insertion, and cross-device optimizations
3.1 Format and DRM System Fragmentation
Unfortunately, the industry has not standardized yet on a …
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HTML5 has become an essential technology for broadcasters with a multiscreen distribution strategy because it can be used to deliver video experiences to TV connected devices and mobile websites on …
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Episodic television and film content delivered over IP would not be possible without Digital Rights Management (DRM). Implemented correctly, it is invisible to viewers and provides a seamless user experience.
Streaming technologies tend to differ in formats, but also within a format have variations with different characteristics. Security with HLS is one of those cases – the default model is fairly public and standardized, …
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I worked for many years with the online video community, with an increasing focus on specific problems high-end users might have. But sometimes it’s also important to go back to …
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This blog goes often into very technical depth, but it’s sometime important to talk about some of the basics like the fundamentals of DRM.
If you are working in the …
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I already posted this in the community section, but it’s worth highlighting as a separate post. PHLS and PHDS are Adobe’s next generation license-server free content protection options. It’s not replacing true …
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I’ve been recently hearing a lot of questions about this topic, and therefore decided to publish this post. But first, it’s important to understand and define the components involved.
Overview
If you are interested in content protection for video on the web and devices, Adobe TV features some interesting clips on Adobe Access 4. The first, from Adobe’s Joseph Jones, …
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Unless you’ve been working in the streaming industry for years, the streaming protocol options are overwhelming to say the least. Here is a quick guide to give you an overview of the current options. Read More
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